Monday, November 26, 2012
Review and The Greatest time of all Time
The Critiquing comics podcast did a review of Monarch Monkey and other Stories. I feel the critic was fair and will help me with future stories. The only thing the hosts are not sure of is the order of stories in the book are in the order I made them. You can listen to the podcast at Deconstructing Comics. The story they liked the best is the last work in the book called "The Greatest Time Of All Time". This story is indicative of the work I am doing now. These are the pages form that story.
Tuesday, November 20, 2012
Monarch Monkey
The panel with Monkey yawning is still on of my favorites from the "Monarch Monkey" comic. The sleeping monkeys in the background have an economy of line that will get lost in my newer work. I may try to go back to a more economic style in a future work.
Wednesday, November 14, 2012
Monarch Monkey
Page 8 is the earliest collage I have in print. I made this page form two or three "Previews" catalogs. I learned that the print quality differed greatly from month to month. I found that that worked in my favor because the different colors added to the textured look of the empty spaces.
Monday, November 12, 2012
Thursday, November 8, 2012
Monarch Monkey
These are the next two pages from "Monarch Monkey". Page 4 was a try at making a single image page with multiple panels. I think that if i did this page again I would have added another box showing the meteor closer to the crash zone. On the story I'm working on now I did a better job of incorporating the boxes into the over all composition. The thing I like about comics is that there are always thing to improve be it technique, storytelling or design.
Wednesday, November 7, 2012
The Boston Slave Riot and Trial of Anthony Burns
The Boston Slave Riot and Trial of Anthony Burns
by Dan Mazur and Doug DeRocher
Originally published in In-bound #4, USA, 2009
via SAP Comics
Tuesday, November 6, 2012
Fan art and a robot
I think it is important for a artist to do works outside of the larger projects you are working on. I find that it there is an evolution to my work page to page. As I learn better ways to put work together small changes occur and at the end of a project the work is different from the start. However I don't want to change to much or the project will not work as a hole. When I do one off works I can let go and not worry about the continuity of a project. These works are some examples of the one off works. The robot work is part of a major change in my work I started to use smaller pieces of paper for shading. I took what I learned from this work and pushed it into the story I did for the Greatest Anthology.
Monday, November 5, 2012
Monarch Monkey
This is the first two pages of "Monarch Monkey". This comic was the first time I created comic pages using my cut paper collage technique. These pages where done after I completed page 22. When I started this project I make them on boards about the size of half a piece of copy paper. When I decided to continue this project I started to work in a larger size and wanted the pages to have continuity.
Friday, November 2, 2012
How I started making comics out of cut paper
About four years ago, after considering quitting making comics, I used the collage technique to make six pages in two weeks and show them around New York Comic Con. I used the origin of the Monkey King as a story. The pages were about four inches by eight inches tall because I did not have time to make full size comic pages. I showed the pages to the great Brian Stelfreeze. He liked the pages talked to me about the work and color theory until the hall closed. By the end of Comic Con, I was determined to make comics in this style. I tried to work with a writer, but did not develop any stories that I wanted to illustrate. Instead, I decided to expand my Monkey King pages into a twenty four page book, titled “Monarch Monkey.”
While I was working on “Monarch Monkey,” I discovered the Boston Comic Book Roundtable, a group of comic creators. I met some very supportive people at the Round Table. Dan Mazur, one of the founders of the group, asked me to collaborate on a story about Anthony Burns for the “Inbound 4” anthology. This was my first publication, and I later published “Monarch Monkey.” I worked with Dan again on the “Show and Tell” anthology. I have continued to produce pages for art shows and websites, most recently collaborating with Hyun Supul for the soon to be published “Greatest” anthology.
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